Good questions, good blog on the future of museums


I just found this blog, which asks this interesting question by way of introducing an upcoming conference on the “future of museums” on December 9 in Los Angeles:

When we talk about the CFM forecasting report Museums & Society 2034, this figure always makes museum folk sit up and take notice.

Changing composition of America (U.S. Census Bureau/Reach Advisors)

It dramatizes the growing disconnect between the population of the U.S., which is becoming increasingly diverse culturally and ethnically, and the core audience of museums, which continues to be mostly Caucasian. In only a few decades, our society will be “majority minority.” California, Texas, Hawaii ,New Mexico and the District of Columbia have already achieved this status. What does this presage for museums? Can we continue to go about our business, hoping that new audiences will come to know and love us? Do we need to change the way we think, talk, hire and plan in order to establish our relevant to diverse audiences? Or are we evolving towards a post-racial America in which the major challenge will be reaching the tech-savvy, highly engaged “myCulture” generation, whatever their ethnic and cultural heritage?

Read more about the conference and check out author Elizabeth Merritt’s good work at Center for the Future of Museums

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Why Are So Many Participatory Experiences Focused on Teens?


A new entry from the ever-thoughtful Museum 2.0 blog:

Over the past year, I’ve noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. A large number of the collaborative projects of which I’m aware (in which staff partner with community members to co-develop exhibits or programs) are initiated with teens. Even the most traditional museums often manage educational programs in which teens develop their own exhibits, produce youth-focused museum events, or provide educational experiences for younger visitors. And while I enjoy working with youth and consuming their creations as a museum visitor, I’d like to call into question the idea that they are or should be the primary audience for participatory experiences. Why are teens over-represented in participatory projects? I see four main reasons…

Read the rest here:
Why Are So Many Participatory Experiences Focused on Teens?

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Elizabeth Turk at Lux Art Institute Encinitas California | Set & Drift


This is a great post with thoughtful writing and a lot of cool pictures of Elizabeth Turk’s work and studio installation at San Diego treasure Lux Art Institute. We just discovered this blog with this article and will be checking back regularly. Thank you , Stacey and Shawn Kelley, founders of Set & Drift.

We recently visited the Lux Art Institute in Encinitas for the opening of Elizabeth Turk’s artist residency. The residency and show is a coming-home of sorts for the artist, who grew up in Orange County but until now has been working in New York. The Lux space seems to fit her work well, as the modern lines of the architecture and sculpture blend with the inherent organic atmosphere of her conceptual queries and the surrounding landscape.


Elizabeth Turk at Lux | setanddrift.org

Elizabeth Turk at Lux | setanddrift.org


Link:
Elizabeth Turk at Lux Art Institute Encinitas California | Set & Drift

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Pointing at Exhibits, Part 2: No-Tech Social Networks


Another example if incredibly thoughtful and purposeful thinking about the art experience from Museum 2.0– we love this blog!

I’ve spent the last two weeks working on the third chapter of my book about network effects of social participation. This can be an incredibly technical topic, as it focuses on the ways that platforms (online, exhibits, museums) can harness the individual activities of many visitors and create meaningful experiential outputs that connect people to each other.

And it’s brought me back to a blog post I wrote a year ago about the Science Museum of Minnesota’s Race: Are We So Different? exhibition. Race is a remarkably social exhibit; visitors spend a lot of time pointing things out to each other and talking about them. Paul Martin, VP of Exhibits at SMM, took several photos of people in the exhibition over its run, and he noted something strange: there was an incredibly high percentage of photos in which someone was pointing at an exhibit label, artifact, or component.

In many cases people were pointing at things that were simple in design and form–quotes, statistics, facts and figures. But the content was so remarkable that visitors felt the need to just to consume it but to point it out to others….

Read more from the original source:
Pointing at Exhibits, Part 2: No-Tech Social Networks

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Olympic spirit rekindled in 25th Anniversary events


Another excellent article from Max Donner’s San Diego Fine Arts Examiner blog about the art of the Olympic Games anniversary celebration on for another week up in Los Angeles.

 Southern California is paying tribute to the heritage of the 1984 Olympic Games during the 25th Anniversary July 28 to August 12. These events are focusing attention on the area’s extensive collections of Olympic art and memorabilia. The …


Preview of Max Donner's latest San Diego Fine Arts Examiner column

Preview of Max Donner's latest San Diego Fine Arts Examiner column


Read the original:
Olympic spirit rekindled in 25th Anniversary events

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Eight Other Ways to "Connect with Community"


Last month, the Christian Science Monitor published an article entitled, “Museums’ new mantra: Connect with community.” It took me a couple weeks (and various museum blog responses ) to realize what bugs me about this article–it treats “connecting with community” as a marketing ploy, a “mantra” rather than a mission. While there is much talk about supporting participation and making museum content relevant, the word “community” hangs like a poorly-defined carrot on a shtick. The article ends with this unfortunate quote from marketing consultant Roger Sametz: “It’s all about making personal, meaningful connections with a community, now.” It sounds as if Mr. Sametz is frantically casing city streets with a heat-seeking metal detector, on the hunt for a miscellaneous batch of confused folks whom he can stun into “connection.” …..

Continue reading here:
Eight Other Ways to "Connect with Community"

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ArtNowSanDiego • 7/8/09


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