Pritzker Prize winner Peter Zumthor planning LACMA makeover


Thank you again, Los Angeles Times Culture Monsters:

PeterZumthor The dream of razing four of the Los Angeles County Museum of Art’s oldest buildings — or at least radically reconfiguring the dreary, closed-in quadrangle they occupy – is being resurrected at the Wilshire Boulevard institution.

The Architect’s Newspaper reports that museum leaders are working with this year’s Pritzker Prize winner, Swiss architect Peter Zumthor, to formulate a long-range plan for getting rid of the problematic buildings and plaza, and replacing them with a more open and inviting structure.

A previous plan to tear down the buildings and build something revolutionary in their place died in a 2002 bond referendum. A 60.5% majority favored the arts bond proposal that would have given LACMA $100 million toward architect Rem Koolhaas’ $300 million-plus plan to replace everything on the eastern end of the museum’s Wilshire Boulevard campus, except for the distinctive Pavilion for Japanese Art. In place of the three 1965 gallery and theater buildings, and a fourth that opened in 1986, LACMA would have become a single structure on concrete stilts, topped by a billowing, tent-like roof.

California law, however, requires a two-thirds super-majority for tax-backed bond issues. With the economy in a post-9/11, post-tech-bubble recession, LACMA leaders abandoned Koolhaas’ all-at-once plan and adopted a gradual, $450 million project that could be built in stages, on a pay-as-you-go basis.

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Huntington and LACMA go shopping for a chair


LA Times on LA County Museum of Art:

Mackmurdo1

Can a chair be a ravishingly beautiful, fascinating and revolutionary object as well as a place to sit?

That’s what art specialists at the Huntington Library, Art Collections and Botanical Gardens and the Los Angeles County Museum of Art say about a recent joint acquisition. The elaborately carved mahogany chair, unveiled in 1885 at the “Inventions Exhibition” in Liverpool and subsequently known as a precursor to the Art Nouveau movement, is the work of Arthur Heygate Mackmurdo, an English architect, graphic artist and craftsman.

The last of five known chairs in a set to come on the market, it will go on view in December at the Huntington in a suite of galleries devoted to the British Design Reform movement. Two years later, it will move to LACMA and join a new display of international Arts and Crafts furniture.

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Fall 2009 at Los Angeles County Museum of Art (LACMA) – Artipedia …


Great LACMA schedule for fall 2009 from Artipedia.com:

Vital Signals: Japanese and American Video Art from the 1960s and 70s

New Topographics: Photographs of a Man-Altered Landscape

The Sum of Myself: Photographic Self-Portraits from the Audrey and Sydney
Irmas Collection
Los Angeles County Museum of Art (LACMA)
5905 Wilshire Boulevard
Los Angeles CA 90036


tel: 323-857-6000

http://www.lacma.org

VIDEO SCREENING

Vital Signals: Japanese and American Video Art from the 1960s and 70s
is a three-part screening program presented in collaboration with
Electronic Arts Intermix (EAI) that investigates the correspondence
between the pioneering, and rarely seen, works of artists
experimenting with video in both Japan and America.

• October 6 – The Language of Technology
Featuring works by James Byrne, Computer Technique Group (CTG), Gary
Hill, Takahiko Iimura, Ando Kohei, Toshio Matsumoto, Nam June Paik,
and Keigo Yamamoto.

• October 13 – Open Television
Featuring works by Chris Burden, Allan Kaprow, Tatsuo Kawaguchi,
Saburo Muraoka, Nam June Paik, TVTV (Top Value Television), Keiji
Uematsu, Video Hiroba, and Video Information Center.

• October 20 – Body Acts
Featuring works by John Baldessari, Mako Idemitsu, Norio Imai, Joan
Jonas, Hakudo Kobayashi, and William Wegman.

EXHIBITION

New Topographics: Photographs of a Man-Altered Landscape
October 25, 2009 – January 3, 2010

A restaging of the landmark 1975 exhibition that first presented ten
photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe
Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and
Henry Wessel, Jr. thus signaling a new photographic approach
critically engaged with the consequences of man’s interaction with
the land. Plus the Los Angeles-based Center for Land Use
Interpretation (CLUI) presents California Oil Landscan. Commissioned
by LACMA, this video projection installation serves as a contemporary
response to the legacy of New Topographics.

Related Artist Talks & Book Signings:

• October 10 – Mitch Epstein, American Power

• October 25 – Frank Gohlke, Thoughts on Landscape: Collected
Writings and Interviews.

Related Exhibition Walkthroughs: Join six contemporary Los
Angeles-based artists as they share their reflections on the
exhibition New Topographics.

• November 1 – Mark Ruwedel

• November 8 – Amir Zaki

• November 15 – Peter Holzhauer

• November 22 – Shannon Ebner

• December 6 – Kim Stringfellow

• December 13 – Catherine Opie

Related Symposium:

November 7 – What’s At Stake? A day-long discussion addressing
issues of curatorial re-staging and the legacy of New Topographics
with regard to urban studies, ecology and architecture.

Speakers include: Matthew Coolidge (Center for Land Use
Interpretation), Douglas Crimp, Norman Klein, Miwon Kwon, Richard
Meyer, Edward Robinson, Britt Salvesen and other special guests
forthcoming. Followed by a sneak preview of Jim Venturi’s Learning
from Bob and Denise, a documentary about his parents, the
architecture team Robert Venturi and Denise Scott Brown.

This event is made possible through a collaboration with The
Contemporary Project at USC. The Contemporary Project is a
multi-year initiative to create new forms of dialogue between the
academic community and the art world.

EXHIBITION
The Sum of Myself: Photographic Self-Portraits from the Audrey and
Sydney Irmas Collection
October 25, 2009 – January 3, 2010

This exhibition presents the visually compelling and psychologically
charged terrain covered within the enduring theme of
self-portraiture. Spanning photo history, included are works by
Edward Steichen, Diane Arbus, Andy Warhol, Cindy Sherman, Catherine
Opie, Douglas Gordon, Walker Evans, Irving Penn, and Robert
Heinecken. Concluding with Testament, an installation by LA-based
artist Natalie Bookchin, a revealing edit of video blogs and diaries
from the web that analyzes contemporary expressions of self.

Related Artist Talk:
• December 1 – Natalie Bookchin: The Collective Construction of
Self in the Digital Age

PUBLICATIONS
• WORDS WITHOUT PICTURES
One year of conversations about the most provocative and challenging
issues facing contemporary photography. With over 90 contributors,
the book features some of the most interesting and innovative
practitioners and thinkers about photography today including: George
Baker, Walead Beshty, Sarah Charlesworth, Harrell Fletcher, Paul
Graham, Leslie Hewitt, Sharon Lockhart, Carter Mull, Allen
Ruppersberg, James Welling, and many others.

• The Sun as Error
Artist Shannon Ebner extends her exploration of photography,
sculpture and language in this remarkable book. In collaboration with
designers Dexter Sinister, The Sun as Error creates both an open-ended
reading of her practice and a rethinking of the idea of an artist’s
monograph.

More:
Fall 2009 at Los Angeles County Museum of Art (LACMA) – Artipedia …

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Art of Photography opens TONIGHT in downtown San Diego


Steven Churchill’s annual The Art of Photography show opens tonight in downtown San Diego’s historic Lyceum Theatre. The Opening Reception Gala starts at 6pm!

From the Art of Photography Opening Gala webpage:

The Art of Photography Show is an international exhibition of photographic art taking place August 29 – November 1, 2009. This presentation of world class photography is truly exquisite. A total of 16,000 photographic entries were submitted by artists from 57 countries around the world for this juried competition. The judge for this exhibit is Charlotte Cotton, who is the Curator and Head of the Photography Department at the Los Angeles County Museum of Art. Ms. Cotton selected 111 images — the best of the best!

If you’re unfamiliar with this annual international San Diego art event, here is a great short description from the Art of Photography Facebook page:

This world-class photography exhibit will run August 29 to November 1, 2009 and is expected to be viewed by over 25,000 people. An elegant 80-page show catalog will be given away to everyone at the Opening Reception Gala on August 29th. An estimated 1,500 people from all over the world will be in attendance, including most of the exhibiting artists.

The Art of Photography mission is to provide a truly “artist oriented” show and to create a world-class presentation of photographic art in San Diego. This is the fifth year of this annual photographic exhibition. The Lyceum Theatre Gallery is open and free to the public seven days a week. Gallery hours are 10:00 a.m. to 5:00 p.m. Monday through Friday, and noon to 5:00 p.m. on the weekends.

For even more information about this terrific San Diego art exhibition, please visit artofphotographyshow.com.

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L.A. museum director lived 10% of the time in N.Y.


Christopher Knight for the LA Times writes:

Ten percent

I do not envy the directors of major art museums the amount of business-related travel their jobs require. No, it's not exactly combat duty. But frequent, far-flung travel is necessary to cultivate relationships, seal deals, keep up with the field and such. Regular travel comes with the job.

Still, I was taken aback by the report by my colleagues Alan Zarembo and Mike Boehm in today's paper, which lays out details of the hefty compensation package provided to Michael Govan, director of the Los Angeles County Museum of Art since early 2006. In the course of reporting that Govan is on track to collect $6 million over the duration of his 5-year contract, putting his pay near the top among American art museum directors, Zarembo and Boehm take note of an unusual, travel-related perk.

Govan was paid “$1,000 a night to stay in his own New York condominium, while there on museum business.” The deal, according to the written agreement and details subsequently provided by LACMA, “paid Govan $103,000 over three years.”

Being paid to live in your own house is certainly an eyebrow-raiser…..

Related coverage:

Behind Michael Govan's almost $1-million LACMA salary

Discuss: Do you think $1 million is a fair salary for a museum director?







Read the complete article here:
L.A. museum director lived 10% of the time in N.Y.

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